Today's guest author, Mary Fleming, is originally from Chicago, and moved to Paris in 1981, where she worked as a freelance journalist and consultant before turning full-time to writing fiction. Her previous novels are Someone Else and The Art of Regret. She chronicles her French life between Paris and the Perche (Normandy) in the photo-essay, A Paris-Perche Diary.
Mary's new novel is Civilisation Française: When recent college graduate Lily Owens enrolls in the Civilisation Française course at the Sorbonne in 1982, she hopes to put a difficult childhood behind her and to find direction for her future. She moves into a mansion on the place des Vosges where her job is to help the housekeeper, Germaine, care for the elderly, half-blind Amenia Quinon, another ex-pat American. The three women live alone in this old house of silence and secrets, mostly revolving in their own worlds. When Lily extends an invitation to a friend, all of their lives are upended.
Reach out to author Mary Fleming via Instagram: @flemingm6
SERENDIPITY
The first day of my freshman year, the college president welcomed our incoming class with a speech about serendipity, a word I did not know. I was so taken by the idea of 'the happiness of discovery' that I can still see myself leaning forward in that chapel pew, hanging on his every word.
Fully understanding the concept, though, is another matter, and it's possible the penny didn't fully drop until 30 years later in Paris. Late one evening, just after New Year, I went downstairs to walk Lily the Labrador. As I opened the door to the courtyard, out of the dark another dog came towards me with frightened, pleading eyes.
The building's gardienne didn't know where she came from, so I walked her, took her upstairs with Lily. From the tattoo in her ear (pet ID in France before the age of microchips), I had the name of the owner, but Madame C never answered my increasingly urgent messages.
My husband said: "There is no way we're keeping that dog." I could see his point. We already had one largish shedding creature and five children, quite enough to fill an urban household. But I couldn't hand her over to the pound. No one I approached wanted her.
In the meantime, the unnamed dog, who had the coat of a golden retriever and the body of Border collie, was not idle. She made a personal appeal to each member of the family. Paws on the lap, a lick of the face, an irresistibly penetrating, loving look, straight into the eye of the beholder, as if no one else in the world existed. She didn't even bark.
Despite the fact she was not housetrained, even my husband cracked. My daughter said: "Mum, it's fate."
Indeed. Elsa stayed.
She and Lily became great pals, and Elsa was as bereft as we were when Lily died. Though only obedient when she felt like it, her joie de vivre was irrepressible and highly contagious. Those eyes, that soft face, lit up the lives of everyone in her orbit. They spoke whole sentences. Right to the end we wondered if this enchanting creature of unknown origin was 100 per cent canine. In the countryside I was afraid she'd be taken for a fox and shot. At other times she seemed to possess traits of cats, deer, hares.
I don't know what I would have done without Elsa when we moved half-time to Berlin. She was the conduit through which I explored the city--was at the origin of the online Diary I began writing then and still write today. Her arrival in our courtyard that night turned out to be living proof of serendipity.
-- Mary Fleming
Thanks for reading with me. It's so good to read with friends.
Suzanne Beecher
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