Dear Reader,
Today's guest author Lori Benton says her historical novels transport readers to the 18th century, where she brings to life the colonial and early federal periods of American history. Lori's books have received the Christy Award and the Inspy Award, and have been honored as finalists for the ECPA Book of the Year.
Surrounded by mountains, currently those of the Pacific Northwest, when Lori isn't writing, she's likely to be found in wild places behind a camera. Her latest release, Mountain Laurel, centers on 18th century slavery and how different characters respond to its injustice.
Please do say hello to Lori, and when you do, you'll be automatically entered in her book giveaway. She has three copies of Mountain Laurel for three lucky readers. Email Lori.
Welcome to the book club Lori...
Seeing Deeper: Fiction and Photography's Commonalities
Crater Lake National Park is Oregon's only National Park. Since taking up landscape photography, I've found my way to this view often, photographing it in many conditions, yet for years I remained oblivious to the existence of an out-of-the-way sculpture, hidden in the forest behind the visitor center I always skipped in my hurry to reach the lake. Last year I finally turned into that parking lot, saw an intriguing trail sign, and soon found myself contemplating The Lady of the Woods, carved in 1917 by Earl Russell Bush, a medical doctor who attended the road crews that built the earliest rim drive around Crater Lake. It pays to look a little closer!
Rugged coastlines, mountain lakes, snowy peaks, cascading waterfalls--no matter if the setting is new or a favorite spot, when behind a camera I'll wander about observing how light, weather conditions, and how my movement through the terrain changes the scene, thus the potential composition of a photograph. More than once I've wished the scenes I write were three-dimensional landscapes I could move through with such ease. Instead I must mentally circle a novel's scene, seeking the strongest combination of focus, point of view, emotional intensity, and character goals possible before committing myself and getting the first draft down. A scene's first draft is much like the photos I capture, which travel home in my camera to be loaded onto my computer. Only with that first viewing will I know if I captured what I thought I did in the field. Maybe the composition isn't as strong as I thought it was, staring through the camera's viewscreen. It's a good thing photo-editing apps abound.
It's the same with writing. First drafts rarely, if ever, contain all the nuances I intended. I must take a closer look. Have I captured the scene from the best angle? Focused on the most interesting and vital details? Really seen and felt the setting through the character's senses? Like I tweak a photo's visual elements, I fiddle with a scene's structure and details. Here's a few more editing comparisons:
Photography: Crop the photo to strengthen the composition
Writing: Trim excess words that clutter the scene
Photography: Brighten a highlight
Writing: Give some aspect of the scene stronger focus
Photography: Sharpen the texture
Writing: Make a setting vivid with sensory detail
Photography: Increase contrast Writing: Up the drama/tension
Capturing a digital landscape often requires the same dedication and attention needed to create complex characters and a story world for them to inhabit that is as vivid as the one in which we live.
-- Lori Benton
Enter Lori's book giveaway. She has three copies of Mountain Laurel for three lucky readers. Say hello to Lori.
* I hope you enjoyed reading today's guest column. Start writing, because your story could be featured in one of Suzanne's daily columns, if you're a First, Second, Third Place or Honorable Mention winner in this year's Write a DearReader contest. Cash prizes, rules and deadlines, along with last year's winning entries, read all about them at: http://www.dearreader.com/contest2020/index.html
Thanks for reading with me. It's so good to read with friends.
Suzanne Beecher
[email protected]
AUTHORBUZZ: Click here to discover new books, "meet" the authors and enter to win.
THE GIRL WITH NO NAME (Mystery) by Lisa Regan
In the small city of Denton, Pennsylvania, an infant has gone missing. Chief of Police Josie Quinn launches a desperate search for the newborn. Then her fiance disappears. The only clue to either of these abductions is a mystery woman who remembers nothing...not even her own name. Josie has her work cut out for her!
Go to: AUTHORBUZZ click on THE GIRL WITH NO NAME to read more and to email author Lisa Regan, you'll get a reply.
* This month's Penguin Classics book is THE PENGUIN BOOK OF ITALIAN SHORT STORIES, introduced, edited and with selected translations by Jhumpa Lahiri. I have a copy to share, start reading and enter today
Recent Comments