Subscribe to one of Suzanne's online bookclubs and receive her daily column at: DearReader.com
AUTHORBUZZ: Discover new books, "meet" the authors and enter to win: Goto: http://authorbuzz.com/dearreader
Dear Reader,
You don't always have to finish what you start. Sometimes just the act of beginning something is all that's required, and the rest will come later. I didn't grow up with that message, so I've had to teach myself that lesson along the way.
When I'm writing, sometimes the lines come pouring out of me, and I can't get them down fast enough. But then the intense fanfare abruptly comes to an end. That's it. That's all I've got for the moment. The column's not finished, but apparently that's all I feel the need to say--for now. And so I put it aside.
Setting things aside will probably always be a little unsettling for me. If I start something and don't finish it within the illusory timetable I've set for myself, I feel like I'm being lazy. "There's no good reason why you shouldn't finish that right now, Suzanne." It's a voice from my past and I hear it each and every time.
But I'm beginning to understand that sometimes things need time to "noodle," as my friend puts it. Who knows, maybe the part I need to wrap things up is on back-order, and it will be a couple of weeks before it shows up. But whatever the reason, the timing just isn't right today.
Learning how to set things aside requires me to trust myself. Do I trust myself enough to know that I'll finish it when the timing's right. Or on second thought, maybe the real creative genius is in what's left unfinished. Norman Rockwell started his painting, "The Dugout" in 1948, but he never finished it. It sold--unfinished--for $345,000.
Let's see, how many unfinished columns do I have sitting around? Where's my calculator?
Thanks for reading with me. It's so good to read with friends.
Suzanne Beecher
[email protected]
AUTHORBUZZ: TERMINAL CITY (Fiction) by Linda Fairstein
Alex Cooper and Mike Chapman are back, faced with the murder of a young woman in the famed Waldorf Astoria Hotel, just days before the President of the United States is set to arrive there for a UN conference. What are the mysterious markings carved into her skin, and how do they connect the killer to the century old landmark--Grand Central Terminal?
Go to: http://authorbuzz.com/dearreader click on TERMINAL CITY to read more and to email author Linda Fairstein, you'll get a reply.
Recent Comments